布莱恩·R. 哈姆内特（Brian R. Hamnett），埃塞克斯大学历史学系教授，他曾多次游历伊比利亚半岛和拉丁美洲，并发表了有关墨西哥的众多著述，他的近作涉及西班牙殖民时期后期、独立斗争和19世纪的墨西哥历史。

The 2006 second edition of this accessible study of Mexico includes two new features, an examination of cultural developments since Independence from Spain in 1821 and a discussion of contemporary issues up to the time of publication. Several new plates with captions expand the thematic coverage in the book. The updated edition examines the administration of Vicente Fox, who ca...(展开全部)

The 2006 second edition of this accessible study of Mexico includes two new features, an examination of cultural developments since Independence from Spain in 1821 and a discussion of contemporary issues up to the time of publication. Several new plates with captions expand the thematic coverage in the book. The updated edition examines the administration of Vicente Fox, who ca...(展开全部)

This volume discusses normative theological categories from a black perspective and argues that there is no major Christian doctrine on which black theology has not commented. Part One explores introductory questions such as: what have been the historical and social factors fostering a black theology, and what are some of the internal factors key to its growth? Part Two examine...(展开全部)

作者简介：阿尔伯特・贝茨・洛德（Albert Baters Lord，1912-1991），美国哈佛大学教授，文学教育家，南斯拉夫史诗和“口头文学”领域的著名学者。“帕里-洛德口头理论”（the Parry-Lord Oral Theory）的创立者之一。1959年起任哈佛大学“帕里口头文学资料馆”名誉馆长。主要著述有：《塞尔维亚-克罗地亚民歌》（1951年，与贝拉・巴尔托克合编），《塞尔维亚-克罗地亚英雄歌》（第1、2卷1952-54年出版，与拜纳姆合编；第3、4卷1975年出版），《塞尔维亚-克罗地亚语初步》（1958年）、《故事的歌手》（1960年第1版，2000年第2版），《保加利亚语初步》（1962年，与拜纳姆合编），《保加利亚文学读本》（1968年），《史诗歌手与口头传统》（1991年）。其中《故事的歌手》充分代表了洛德的学术思想和独特贡...(展开全部)

I．力…Ⅱ．①卡…②鲁…Ⅲ．美洲印第安人一文化一研究 Ⅳ．K703 中国版本翔书馆CIP数据核字(98)第39309号

I．力…Ⅱ．①卡…②鲁…Ⅲ．美洲印第安人一文化一研究 Ⅳ．K703 中国版本翔书馆CIP数据核字(98)第39309号

I．力…Ⅱ．①卡…②鲁…Ⅲ．美洲印第安人一文化一研究 Ⅳ．K703 中国版本翔书馆CIP数据核字(98)第39309号

I．力…Ⅱ．①卡…②鲁…Ⅲ．美洲印第安人一文化一研究 Ⅳ．K703 中国版本翔书馆CIP数据核字(98)第39309号

Throughout his career, Daido Moriyama has produced a huge body of extremely influential photobooks, each demonstrating the variety and complexity of his work, from the blurred and grainy style of his early Provoke-era publications, to his more classic city- and object-based projects. Tales of Tono, appearing here for the first time in English, is one such book. First published ...(展开全部)